Back to Class Page The Mental Status Exam is the basis for understanding the client's presentation and beginning to conceptualize their functioning into a diagnosis. At first all this might seem overwhelming and time consuming, but really it's not that bad to do. It can generally be done in a few minutes when you need to do specific things, and the vast majority of this you can get from interviewing and simply watching the client carefully.
Whatsapp Twenty years ago the man who recorded one of the most successful songs of all time was thrown off a motorbike by a car in Calabar, Nigeria. He hit his head on the road and was rushed to the hospital, where he lay for two weeks, in and out of consciousness, but deteriorating all the time.
On June 24,Prince Nico Mbarga was pronounced dead. Politics, however, rarely frames lives quite so neatly. Over the last few months, I have tried to piece together a more textured story: Twenty years after his death, this is the obituary that never was.
In a modest bungalow there I met Esame, his widow, and Ojong, his best friend, on a warm evening on the cusp of the wet season. On plastic chairs in the shadow of his mausoleum, they told me about Nico Mbarga and the place he called home.
Ojong remembers early mornings with young Nico on the river, fishing for tilapia and catfish, and days spent in the shade of the forests, setting traps for birds. Today Ikom is still fairly remote — the tarmac roads coming in and out quickly crumble into dirt — but back then it was positively isolated.
The only way goods such as bicycles and sewing machines made their way to the village was by lighters on the river from Calabar, more than miles to the south. But even in rural Ikom, all the flux of being in a British colony in Africa in the mid-twentieth century — and the trappings of modernity it entailed — had its effect.
More exciting for Nico though, his music-loving father bought a Phillips radio. There was something, a new confidence, beyond the lyrics too.
Highlife took western instruments — the trumpets and saxophones of big jazz bands — and set them to local, offbeat rhythms. It was a genre well-suited to a country preparing for independence, and its optimistic sound was to suffuse all the music young Nico would go on to create.
His father, from a long line of xylophone players, taught him the instrument, a handheld version with metal tines plucked by the thumbs. But Nico wanted to make a sound more like the western instruments of highlife, so he built his own xylophone from dried-out plantain skins and scooped bark.
They downsized, becoming tenants in a compound in the middle of the village, and though Ojong remembers a mother dearly trying her best — caregiver with one hand, breadwinner the other — things were difficult. As a teenager, Nico tried to do his bit, playing sets in nearby small villages, but there was little money in it.
In Mamfe, Cameroon, he met Lucy, who today lives in a half-built mansion ringed by palm trees on the outskirts of Ikom.
Then a smiling Lucy recounted the moment 50 years ago that she met Nico Mbarga: With its staccato guitar, spontaneous spoken asides and high-pitched harmonies, it had the whole continent dancing the soukous and the kara-kara.
Mbarga, always dedicated, taught himself the conga, the drums, the bass and, most importantly, the finger-picking style of Congolese electric guitar.The answers they get from the folk in the story will astound them, shake them into new awarenesses, really let them remember and be part of history.” I was fourteen when “The Devil’s.
The long-awaited EAWE has come out, which is a semi-structured psychiatric interview meant to be used with people who may have schizophrenia. The Driver is Perspectives.
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This article was a great find. I have done the test a few times over the past few years and still I am an INFJ.
I have found myself in a very troubled time in my life and seem to be lacking the tools to move forward.